CGS’s PACKAGING MOCKUP MEDIA. SIMPLE GENIUS.

PERFECT MOCKUPS.
NO COLOUR COCKUPS.

You name it, we’ve got all the film, labels, paper, inks and mockup media you need for brilliant mockups. And if we haven’t got it, then someone’s getting fired and THEN we’ll get it in.

You can’t beat CGS’s Real Substrate Proofing material. This is mockup media at its finest.

CHECK OUT THESE EXAMPLES, MADE WITH CGS MOCKUP MEDIA

Salt and vinegar, anyone? The example here is a fairly standard use case for this reverse-printed ORIS Transfer Film IV, which was then laminated to the actual substrate (made by SCHAWK Penang).

The film – usually for use on the ROLAND VS-540; definitely with CGS-XG inks. The file format’s CONTONE, the final print will be flexo.

1. Heat-happy – no fade under temperature 
2. White-friendly – crisp, clean substrate
3. Glossy surface – the kind of finish that’ll have your customers ordering another round. 

Ideal for colour-accurate mockups of beer kegs. No actual beer or keg included, obviously.

The example here shows a combination of ORIS Transfer Film IV used on original sheet metal (a keg made by Kleeman, Germany).

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. The file format’s a 1-bit TIFF, at 140 lpi, and the final print will be metal offset.

1. Crimps + welds – the film handles both
2. Spot white – crisp and clean
3. Overprint – yes, here the example shows what’s possible with a translucent, copper metal effect.

Rinse and repeat, you know the drill. Except, if you’re using top quality mockup media, you’re reducing the risk of a second run for colour corrections.

This example shows what’s possible on a 750ml PET bottle, printed up with CMYK + spot silver, gold, and green. Created with ORIS’s clear, self-adhesive ‘no-label’ look label (the bottle’s by iMSGROUP, Unilever).

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. The file format’s simple enough – continuous tone – sent to final print and cut. 

1. Spot-ready – superb colour take-up
2. Metallic-ready – fast-drying, which helps
3. Authoritative tactility – look, we don’t know what that means either, but we think it’s to do with customers **touching** the label and getting a really good feel for it. Which is kinda the point of giving them a top-quality mockup.

It’s ORIS Transfer Film IV, on a base substrate made by SHAWK, Penang; usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. The file format’s CONTONE, and final print is flexo.

1. Metallics – yes, it’s superb with metallic inks
2. Translucent inks – no smudgin’.
3. Heat-sealed seams – it won’t come to pieces when your customer’s handling the proof
4. Spot white – clean; no grey, no yellow.

Woof-woof. Great example of what’s possible; a complex pouch with a top zipper.

This sample was created with ORIS Transfer Film IV, reverse-printed and laminated onto that pouch (and here we’ve got CMYK plus 3 spot colours, plus metallic silver – great repro across the gamut).

The base stock here was made by Nestlé Purina;  the transfer film is usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. The file format’s CONTONE, and final print is flexo.

1. Metallics – yes, it’s superb with metallics
2. Zipper – because smart cats apparently
3. Double heat-sealed seams – important. You’re creating robust mockups: it doesn’t just look and  feel like the real deal, it IS the real deal.

Something different. With perfect colour in their hands, customers can think outside the box.

This example was put together with CMYK + 2 spot colours + white + translucent gold. ORIS Transfer Film IV on high quality metallized cardboard, which was made by MEDAD, Dubai; usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. The file format’s CONTONE, and final print is offset. 

1. Under-printing – in this case, white. 
2. Over-printing – in this case, translucent gold. 
3. Outside the box – just an idea of what’s possible. 

These films were created specifically to hold perfect colour representations – not ‘nearly the same’, but exactly the same as the final product.

In this example, we’ve got white; CMYK; and 2 metallic colours on 50μ metallized film (made by Nestlé Purina).

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. The file format’s CONTONE, and final print will be flexo. 

1. Under-printing – in this case, white. 
2. Over-printing – in this case, translucent gold. 
3. Tactility ensured – the same 50μ metallized film you’ll find used in final production. 

Popular on the continent, starting to get traction here – liquid pouches.

What you’re seeing here is a sample made by laminating this reverse-printed transfer film – with CMYK + 2 spot colours + translucent gold – onto the actual substrate (made by SCHAWK, Penang). 

ORIS Transfer Film IV; usually for use on the ROLAND VS-540 – definitely with CGS-XG inks. File format, CONTONE; and final print is . 

1. Heat-sealed seams – robust construction.
2. Squidgy – no better word for that tacticilty. 
3. Spot-ready – great take-up. 

Triple-choc ices. Mmmm.

In this example, we’ve shown what’s possible with CMYK, metallic gold and blue on composite aluminium (made by IMS, Shanghai).

ORIS Transfer Film IV, for reverse printing. Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is flexo. 

1. Heat-sealed seams – robust construction.
2. Squidgy – no better word for that tactility. 
3. Spot-ready – great take-up. 

All CGS PackPROOF media provides uniform ink absorption – here, we’ve got an example of ORIS Transfer Film IV being used on a composite made by Mövenpick, Schofeld.

This one’s been done with CMYK, 3 spot colours, and white. Matte finish, spot gloss varnish.

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is gravure.

1. Matte finish  – great feel.
2. Spot colours – superb colour representation. 
3. Spot gloss-varnish – fast drying.
4. Metallics – this film is ideal for all finishes. 

Crisp, sharp colour. Everything your customer expects you to deliver – and the right feel, too.

This is CGS’s ‘bread bag’ compatible PackPROOF media. The example’s been reverse printed up with six colours, plus spot white, on a 50μ heat-sealable bread bag film made by SHAWK, Australia. 

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is flexo, naturally. 

1. Superfine film  – excellent ink retention.
2. Excellent take-up – superb spot colours.
3. Under-printing – in this case, white. 

This is just one example of CGS’s PackPROOF media, as used to create popular stand-up pouches. Here, it’s ORIS Transfer Film IV that’s been reverse printed with a matte finish on an original substrate with a clear window (made by Echt AG, Switzerland).

Process colours, two spot colour, white, and a hot foil here – and the substrate’s hotfoil and closure mechanism seal the deal. Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is flexo. 

1. Sealing strip  – film adapts to all substrates. 
2. Adaptable – gold foil here; many other uses.
3. Matte finish – true to final product.
4. Spot colours, spot on – happy customers.

Plain and simple, this is ORIS’s Heat Shrink Film – and this example was reverse printed onto an iMS (Unilever) 250ml can. Smooth as a baby’s bottom.

Here you can see a design that used three process colours and silver; this film’s usually used on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is metal decor. 

1. Shrink film  – pre-coated.
2. Spot colours – spot on. 

Bubbles – are not what you need. What you need, is mockup media (shrink film) you can trust. 

This is ORIS’s Heat Shrink Film. What we have here is an example reverse printed onto a soft drink can  made by iMS, Shanghai. Tasty. 

CMYK and white here – this shrink film’s usually used on the ROLAND VS-300i – definitely with CGS-XG inks. File format, 1-bit TIFF, halftone; and final print is metal decor. 

1. Crisp edging  – no wrinkling in application. 
2. Crystal clear whitepoint – superb.

Straightforward. Simple. Except it’s not – because some film holds onto more colour than you’re expecting, which puts the mockers on everything.

This is an example of ORIS’s Transfer Film IV in use on cardboard (the original here was made by Echt AG, SWITZERLAND). CMYK, 2 spot colours, white, golf foil – the works. Usually used on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is offset with hot foil. 

1. Hot foiling  – no colour deterioration. 
2. Embossing – again, superb colour retention.
3. Matte finish – with no loss of vivid colour.

Being able to deliver perfect colour in your mockups can make all the difference – if the customer feel AND see the quality, it’s all good.

Here, we’ve got an example of ORIS’s Transfer Film IV reverse printed on metallized cardboard (made by Medad, Dubai). CMYK, white, and a translucent gold – all reproducing beautifully on a ROLAND VS-300i, with CGS-XG inks. File format, CONTONE; and final print is offset . 

1. Partial white – total colour integrity. 
2. Translucence – perfect colour reproduction.
3. Great hand feel – conveys quality.

Quality look, quality feel; that’s what it’s all about. In this example, you’re seeing ORIS White self-adhesive vinyl on a laminate tube – check out the high density black here. 

Usually produced on a ROLAND VS-300i, with CGS-XG inks, this example’s used two colours, plus silver, plus white. Smells good too. File format, CONTONE; and final print is offset . 

1. Cut to shape – but cuts easily, no puckering. 
2. Adhesive – sticky, but in all the right places. 
3. Excellent colour take-up – see it, believe it. 

Super sharp colour, great hand-feel. High quality through and through. 

This is CGS’s food pouch compatible PackPROOF media. The example’s been reverse printed up with four colours, plus 2 spots, plus white. All shown here on a metallized substrate from SHAWK, Penang. 

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is flexo, naturally. 

1. Metallized stock – perfect colour rendition. 
2. Spot take-up – predictable and consistent. 
3. Sealing – without impacting colour.
4. Excellent take-up – again, high density colour.

We’re not convinced that’s actually chicken. But we are confident, it’s the right shade of yellow.

Again, this is food-compatible PackPROOF media – this time, an example that’s been reverse printed up with four colours, plus 2 spots. Shown here on a PE film from Digital Comms.

Usually for use on the ROLAND VS-300i – definitely with CGS-XG inks. File format, CONTONE; and final print is flexo, naturally. 

1. Colour-matching – total confidence.
2. Seal the deal – no loss in colour integrity on hot seal edges. 

The value of your product can multiply many times over with high quality print.

Our last example is ORIS Transfer Film IV used on a folding promo pack carton; matte finish, with spot gloss varnish embossing. PackPROOF media steps up and delivers quality – usually for use on the ROLAND VS-300i or ROLAND’s LEF-20; definitely with CGS-XG inks. File format, CONTONE; and final print is flexo. 

1. Adapts easily – white on metallized board, here. 
2. Embossing – no loss in colour integrity.
3. Matte finish – super quality throughout.