ProofMaster proofing media
Consumables Backup
ProofMaster media is manufactured to the highest tolerances, certified by FOGRA for use in contract proofing applications and back-printed with the FOGRA logo to guarantee authenticity and give added peace of mind to your customers.
ProofMaster has a compatible media product, at a price everyone can afford. Covering FOGRA 39L, FOGRA 47L, and the latest standards for papers with OBA
FOGRA 51 and FOGRA52
MATT 140 GSM
Fogra Certified Matt coated paper
Very low content of optical brighteners.
Certified for FOGRA 47L proofing conditions
MATT 150 GSM
Fogra Certified Matt coated paper
High content of optical brighteners for the latest ISO printing standards.
Certified for FOGRA52 proofing conditions
SEMI MATT 200 GSM
Fogra Certified Semi Matt coated paper
Very low content of optical brighteners, and back-printed with the Fogra logo.
Certified for FOGRA 39L proofing conditions
SEMI MATT 240 GSM
Fogra Certified Semi Matt coated paper
Very low content of optical brighteners, and back-printed with the Fogra logo.
Certified for FOGRA 39L proofing conditions
SEMI MATT OBA 250 GSM
Fogra Certified Matt coated paper
High content of optical brighteners for the latest ISO printing standards, and back-printed with the Fogra logo.
Certified for FOGRA51 proofing conditions
Hahnemuhle Fine Art Papers
CXF is a certified partner of Hahnemühle – we supply their entire range of digital fine art papers and canvases that work with your inkjet printer to create museum quality photographic or art ‘giclee’ prints. As well as the products highlighted below we have an enormous range of photo papers and canvases in various finishes and in various weights. Please get in touch with your requirements if you don’t see what you are looking for.
If you need a sample of any of our fine art papers – please email sales@cxfltd.co.uk
PHOTO RAG
A white 100 percent cotton paper with a smooth surface texture – guarantees archival standards. With its premium matt inkjet coating Photo Rag meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper.
ALBRECHT DURER
A genuine mould-made paper made from 50% cotton and 50% α-cellulose fibres. The traditional mould-made art paper is refined with a coating specially developed for FineArt applications. The white FineArt inkjet paper does not contain optical brighteners and has a classic, strikingly defined watercolour structure that adds an artistic touch to art reproductions in particular.
GERMAN ETCHING
A traditional mould-made copperplate printing paper, complete with an inkjet coating designed especially for Fine Art applications. The white art paper made from 100% alpha cellulose is characterised by its extraordinary velvety tactile feel and it’s fine, clearly defined felt structure. The unique surface texture adds a very special touch to images, showcasing them in all their splendour with impressive three-dimensional effect and depth.
MUSEUM ETCHING
A natural white cotton art paper with an inkjet coating specially optimised for FineArt printing. This heavyweight textured paper does not contain optical brighteners and is characterised by its high stability. The finely textured surface with fine felt structure lends Fine Art prints added depth and a three-dimensional effect. Combined with the pure cotton base, this creates a wonderfully soft tactile feel and artistic impression.
WILLIAM TURNER
A traditional mould-made watercolour paper with a coating that is ideal for FineArt applications. The white cotton paper does not contain optical brighteners and is characterised by its unique tactile feel and surface texture. The fine yet highly pronounced felt structure of the genuine mould-made paper gives photographs and art reproductions a striking depth and three-dimensional effect.